THE TIMES BOOK OF THE YEAR A GUARDIAN BEST BOOK OF 2022 A GOOD HOUSEKEEPING BOOK OF THE YEAR 'It takes the most ferocious intelligence, skill, and a deep reservoir of sadness to write a novel as funny as this. I adored it' - Meg Mason, bestselling author of Sorrow & Bliss Meet the Hanrahan family. Ray, the father. Acclaimed artist and notorious narcissist, who is obsessed with his own reputation. Lucia, his long-suffering wife. A lauded sculptor yet terrified of what recognition could bring. And she has a secret of her own which could tear the family apart. Leah, the eldest daughter, devoted to her father and convinced of his genius. Patrick, Lucia's sensitive son, who has finally decided to strike out by himself. Jess, the youngest daughter, insecure and facing a daunting decision. As they gather for a momentous weekend - the first exhibition of Ray's artwork in many decades - each member of the family must finally make a choice. And when they do, once tensions have boiled over and the guests have departed, what will be left of the Hanrahans? Longlisted for the Women's Prize for Fiction 2022, The Exhibitionist is the extraordinary fifth novel from Charlotte Mendelson, a dazzling exploration of art, sacrifice, toxic family politics, queer desire and personal freedom. 'A devastating treat of a novel: funny, furious, dark and delicious' - Sarah Waters, bestselling author of Fingersmith

THE TIMES NOVEL OF THE YEAR A GUARDIAN BEST BOOK OF 2022 A GOOD HOUSEKEEPING BOOK OF THE YEAR 'It takes the most ferocious intelligence, skill, and a deep reservoir of sadness to write a novel as funny as this. I adored it' - Meg Mason, author of Sorrow & Bliss 'A devastating treat of a novel: funny, furious, dark and delicious' - Sarah Waters, author of Fingersmith Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art - the first in many decades - and one he is sure will burnish his reputation for good. His three children will be there: beautiful Leah, always her father's biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, the youngest, who has her own momentous decision to make . . . And what of Lucia, Ray's steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice. The longer the marriage, the harder truth becomes . . . The Exhibitionist is the extraordinary fifth novel from Charlotte Mendelson, a dazzling exploration of art, sacrifice, toxic family politics, queer desire, and personal freedom. 'Delicious, heartbreaking . . . Fabulously written and utterly compelling' - Marian Keyes, author of Grown-Ups

When We Were Bad is a spellbinding, witty and poignant portrayal of a family in crisi, in love, and in denial. 'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess. A joy' – Observer In North London, Claudia Rubin is in her heyday. Wife, mother, rabbi – and sometimes moral voice of the nation – everyone wants to be with her at her son Leo's glorious wedding. That is, until Leo jilts his bride, and the gleaming bubble surrounding the Rubins threatens to burst. Frances – Claudia's calm, mature, married daughter – tries to hold the nucleus of the family together, but the stress forces her to re-examine her own life, leading her to make a decision as shocking as Leo's choice to bolt. And Claudia's husband, Norman, has an uncharacteristic secret. And, whether he likes it or not, he is powerless to stop it coming out . . . 'A comedy with the warmest of hearts and the most deliciously subversive of agendas' - Marie Claire 'Fast-paced and engaging. Brilliant, touching and true' - Naomi Alderman, bestselling author of The Power

‘The multi award-winning Charlotte Mendelson is famous for whipping up the hottest, messiest family dramas a writer of literary fiction can . . . This is late Shakespeare meets Modern Family and it’s irresistible’ – The Times In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother and three ancient Hungarian relatives. Imprisoned by her family’s crushing expectations and their traditions, she knows she must escape. At Combe Abbey, a traditional English private boarding school in the Dorset countryside, Marina realizes she’s made a terrible mistake. Here, among the boathouses, chapel services and unspoken social hierarchy, she is the awkward half-foreign girl who doesn’t know how to fit in, flirt, or even exist. Meanwhile, her mother has her own painful secrets to deal with – especially the surprising return of the very last man she’d expect to see. And Marina’s disastrous spiral at Combe Abbey is going unnoticed . . . ‘A deliciously funny tale of dysfunctional families. . . Reading Mendelson’s easy, assured prose is like sinking into something soft and velvety’ – Telegraph ‘I read and adored Almost English . . . and now I will read everything she’s ever written. Charlotte Mendelson is a fiendishly gifted writer’ – Marian Keyes

Beautifully written and bitingly funny, Charlotte Mendelson's prize-winning Daughters of Jerusalem is a gripping novel of hidden love and hate, of the desire to belong, and the need for escape. Amidst the crumbling yellow stone of Oxford and its prestigious university, secrets are stirring within the Lux family home . . . Jean, the constrained and guilt-ridden wife of an academic, is waiting for excitement – and it will come from an unexpected source. Eve, Jean's intelligent eldest daughter, luxuriates in wounded murderous jealousy of her younger sister and is on the brink of snapping. Raymond, the loathed rival of Jean's husband, begins to show interest in Eve. And Helena, Jean's best friend, has a confession, the revelation of which may just alter everyone's lives forever. 'Brilliant and witty . . . Mendelson's second bewitchingly erotic and darkly dramatic novel confirms her as a stylish, perceptive chronicler of the heart's hidden desires' - Daily Mail 'Superb . . . funny, exciting, lyrical, poignant, redemptive' - Guardian

`Brilliant . . . exhilarating . . . Exciting and memorably written, this is one of those rare reads that has you galloping to the end, but feeling bereft at having to say goodbye so soon' Independent Behind a crumbling facade of seeming normality, secrets begin to stir within the Lux family home. Jean Lux, constrained academic wife and guilty mother, is waiting for excitement - and it will come from an unexpected source. Meanwhile Eve, her intelligent elder daughter, luxuriates in wounded jealousy, until her loathing for her only sister verges on the murderous. Into this climate of static repression and bitterness enters Raymond Snow, the deadly rival of Jean's husband, who begins to show interest in the vulnerable Eve. Meanwhile, Jean's best friend, Helena, has something she is yearning to tell: a confession that may alter everyone's life forever. Beautifully written and very funny, Daughters of Jerusalem is a gripping tale of hidden love and hate, of the desire to belong and the need for escape. Daughters of Jerusalem won both the John Llewellyn Rhys Prize and a Somerset Maugham Award. `Brilliant and witty . . . Mendelson's second bewitchingly erotic and darkly dramatic novel confirms her as a stylish, perceptive chronicler of the heart's hidden desires' Daily Mail

From the Booker longlisted author of Almost English Shortlisted for the Orange Prize 'The Rubin family, everybody agrees, seems doomed to happiness' Claudia Rubin is in her heyday. Wife, mother, rabbi and sometime moral voice of the nation, everyone wants to be with her at her older son's glorious February wedding. Until Leo becomes a bolter and the heyday of the Rubin family begins to unravel . . . 'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess' Observer 'Fast-paced and engaging. Brilliant, touching and true' Naomi Alderman, Financial Times 'Absolutely spellbinding, so funny, so moving, so totally believable' Jacqueline Wilson 'Intelligent and witty. The Rubin family may be a singular one but the delights and the difficulties its members have with sex and spirituality, food and domesticity, expectation and achievement, will have a universal appeal' Sunday Telegraph 'Funny and emotionally true, this is a comedy with the warmest of hearts and the most deliciously subversive of agendas' Book of the Month, Marie Claire When We Were Bad is a warm, poignant and true portrayal of a London family in crisis, in love, in denial and - ultimately - in luck..

'Excellent book.' Nigella Lawson 'Charming, inspiring, uplifting... pure lovely.' Marian Keyes 'Read Rhapsody in Green. A novelist's beautiful, useful essays about her tiny garden.' India Knight 'Glorious...for anyone who loves fruit, vegetables, herbs and language. It makes you see them with new eyes.' Diana Henry 'A witty account of 'extreme allotmenteering' for all obsessive gardeners' Mail on Sunday 'An extremely entertaining and inspiring story of one woman's passionate transformation of a small, irregular shaped urban garden into a bountiful source of food.' Woman & Home 'A gardening book like no other, this is the author's 'love letter' to her garden. She relays warm and witty stories about the trials and tribulations throughout her gardening year.' Garden News '...this inspirational, funny book, written by someone who hankers after a homesteader's lifestyle, will make you look at even your window box in a new, more productive light.' The Simple Things 'Gardening is not a hobby but a passion: a mess of excitement and compulsion and urgency and desire. Those who practise it are botanists, evangelists, freedom fighters, midwives and saboteurs; we kill; we bleed. No, I can't drop everything to come in for dinner; it's a matter of life and death out here.' Novelist Charlotte Mendelson has a secret life. Despite owning only six square metres of urban soil and a few pots, she is an extreme gardener; the creator of a tiny but bountiful edible jungle. And like all enthusiasts, she will not rest until you share her obsession. This is the story of an amateur gardener's journey to addiction: her attempts to buy lion dung from London Zoo and to build her own cold frame; her disinhibited composting and creative approach to design; her prejudices (roses, purple flowers, people with orchards); and her passions: quinces, salad-leaves, herbs, Japanese greens and ancient British apples. It is a story of where fantasy meets reality, of the slow onset of a consuming love and, most of all, of how gardening, however peculiar, can save your life.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY CHARLOTTE MENDELSON

‘This is real life, Jake,’ she said. ‘You’d better wake up.’

Jake is clever, lazy and scraping by in London as a hack translator. Jake loves Anna. Anna is an elusive and lovely singer. Anna loves Hugo. Hugo is a fireworks manufacturer turned movie producer and majestic philosopher. Hugo loves Sadie. Sadie is a glossy and dazzling film starlet. Of course, Sadie loves Jake. Then there's Marvellous Mister Mars, the famous hound, who might or might not be Jake's ticket up and out of this mess.

THE TIMES NOVEL OF THE YEAR A GUARDIAN BEST BOOK OF 2022 A GOOD HOUSEKEEPING BOOK OF THE YEAR 'It takes the most ferocious intelligence, skill, and a deep reservoir of sadness to write a novel as funny as this. I adored it' - Meg Mason, author of Sorrow & Bliss 'A devastating treat of a novel: funny, furious, dark and delicious' - Sarah Waters, author of Fingersmith Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art - the first in many decades - and one he is sure will burnish his reputation for good. His three children will be there: beautiful Leah, always her father's biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, the youngest, who has her own momentous decision to make . . . And what of Lucia, Ray's steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice. The longer the marriage, the harder truth becomes . . . The Exhibitionist is the extraordinary fifth novel from Charlotte Mendelson, a dazzling exploration of art, sacrifice, toxic family politics, queer desire, and personal freedom. 'Delicious, heartbreaking . . . Fabulously written and utterly compelling' - Marian Keyes, author of Grown-Ups

'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLER Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts. Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century. 'There's much to say about her interweaving of myth and history and, just as interestingly, there's much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' - Sam Jordison, Guardian

Athens and Sparta, the mighty city states of ancient Greece, locked together in a quarter century of conflict: the Peloponnesian War. Alexias the Athenian was born, passed through childhood and grew to manhood in those troubled years, that desperate and dangerous epoch when the golden age of Pericles was declining into uncertainty and fear for the future. Of good family, he and his friends are brought up and educated in the things of the intellect and in athletic and martial pursuits. They learn to hunt and to love, to wrestle and to question. And all the time his star of destiny is leading him towards the moment when he must stand alongside his greatest friend Lysis in the last great clash of arms between the cities.

INTRODUCED BY CHARLOTTE MENDELSON 'It is time that justice was done to Elizabeth Taylor... All her writings could be described as coming into the category of comedy. Comedy is the best vehicle for truths that are too fierce to be borne' ANITA BROOKNER '"You know,'"Midge began, and paused. She was rather taken aback, and could not at once think of anything to say. "Perhaps there's nothing so dangerous as having led a sheltered life."' Cressy has grown up in a world of women, presided over by her eccentric, artist grandfather Harry Bretton. Rebelling against the wholesome, organic values of her home life, Cressy decides to leave home in search of more ephemeral pleasures. Taking a job in an antiques shop, she meets David, a self-satisfied journalist, also looking for means of fleeing the family nest. But as Cressy cannot fend for herself and David is securely tied to his mother's apron strings, this act of escape for both of them proves a powerful form of bondage. 'Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor's novels and short stories many times over. As a writer I've returned to her too - in awe of her achievements, and trying to work out how she does it ' SARAH WATERS

Longlisted for the Man Booker Prize 2013 and the Baileys Women's Prize for Fiction 2014 'I adored Almost English' Nigella Lawson 'I read and ADORED Almost English . . . And now I will read everything she's ever written' Marian Keyes Home is a foreign country: they do things differently there . . . In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother, Laura, and three ancient Hungarian relatives. Imprisoned by her family's crushing expectations and their fierce unEnglish pride, by their strange traditions and stranger foods, she knows she must escape. But the place she runs to makes her feel even more of an outsider. At Combe Abbey, a traditional English public school for which her family have sacrificed everything, she realises she has made a terrible mistake. She is the awkward half-foreign girl who doesn't know how to fit in, flirt or even be. And as a semi-Hungarian Londoner, who is she? In the meantime, her mother Laura, an alien in this strange universe, has her own painful secrets to deal with, especially the return of the last man she'd expect back in her life. She isn't noticing that, at Combe Abbey, things are starting to go terribly wrong.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

Anna Raine is desperate: to escape Somerset, to evade her mother, and above all, to find a model of adulthood on whom to base her future self. When Stella, her mother's thrillingly reckless younger sister offers her a Bloomsbury flat, Anna feels sure that some form of stardom will shortly follow.

By all outward appearances, the Rubins are the perfect family: brilliant, successful, enviably close-knit. Then an event of great joy and celebration -- the marriage of the eldest son -- urns to chaos when the groom jilts his bride and runs off with a married woman. It's a shock to everyone in their small Jewish community, most of all to matriarch Claudia, a successful rabbi. In the wake of this one defiant act, the floodgates to a ruinous wave of gossip are opened, and the secrets that the Rubins have been keeping from one another begin to spill forth. All four adult Rubin children and their parents ultimately must come to terms with their own inner desires and identities. When We Were Bad gives a warm, poignant, and honest portrayal of a family in crisis, in love, in denial, and, ultimately, in luck.